PURPOSE

Base Diseño e Innovación is the academic journal of the School of Design at Universidad del Desarrollo, featuring a refereed research section accessible through an open OJS platform. Its mission is to highlight the role of design as a catalyst for innovation, driving processes that enhance quality of life and create social, economic, and cultural value. The journal fosters interdisciplinary academic dialogue, engaging key stakeholders from academia, industry, government, and civil organizations, as well as professionals and scholars from all areas of design. It seeks to spotlight emerging areas of design research and facilitate global collaboration among researchers. 

As a fully bilingual journal (Spanish-English), Base Diseño e Innovación bridges language barriers and promotes knowledge exchange between Spanish- and English-speaking audiences. Besides, special issues, led by guest editors, enhance collaboration among academics from various countries and institutions, establishing the journal as a platform for international scientific cooperation. 

Published twice a year, Base Diseño e Innovación provides open, immediate, and free access to all content, contributing to the democratization of knowledge and global intellectual exchange. That is, there are no embargo periods and readers do not need to register to access and download content.

The International Editorial Board plays a key role in supporting the editorial team by shaping editorial strategies and enhancing the journal's scientific reputation. Board members contribute by suggesting themes, proposing special issues, recommending reviewers, evaluating manuscripts, and promoting calls for papers as well as the journal's published content. 

 

DISCIPLINARY FRAMEWORK

Building on the definition proposed by the World Design Organization, Base Diseño e Innovación understands design as a strategic problem-solving process that drives innovation in both public and private sectors through the creation of products, systems, services, and experiences in physical and digital formats. Design is inherently transdisciplinary, integrating technologies, needs, and meanings to address complex challenges. It leverages creativity to define problems and co-create solutions, aiming to improve aspects of economic, social, cultural, and environmental realities. 

Base Diseño e Innovación understands design research as a systematic, verifiable, replicable, and communicable process of inquiry aimed at addressing theoretical, methodological, or empirical questions within the field of design. Its goal is to contribute to the advancement of new knowledge. As Nigel Cross (1999, p. 9) explains, the whole point of doing research is to extract reliable knowledge from either natural or artificial world and to make that knowledge available to others in re-usable form.” The object of study in design research can encompass designers, users, products, services, and processes. And research initiatives may be driven by the public sector, the private sector, or academic institutions.

 

SCOPE AND FOCUS

Base Diseño e Innovación publishes original research articles that explore design from three perspectives: for design, about design, and through design. Research for design—also known as design research or action research—typically involves focused case studies whose findings can be applied to similar scenarios. Research about design examines the discipline itself, including its products, processes, methods, actors, and its societal, economic, or cultural impact. Research through design uses prototypes as research tools, focusing on their role in generating knowledge (Frayling, 1993; Herrera, 2010; Frankel & Racine, 2010; Glanville, 2023).

 

THEMATIC COVERAGE

Base Diseño e Innovación publishes articles across all areas of design, including product design, materials, spaces, systems, experiences, services, digital interaction, fashion and apparel, and visual communication. It also explores topics related to design education at all levels, encompassing both formal and informal systems, from school and university education to professional development.

The journal addresses a broad range of questions, including but not limited to the following:

  • What are the economic, environmental, social, and cultural impacts of design, its products, and processes? How can design evolve toward greater sustainability?
  • How do geographical, economic, productive, and cultural contexts shape the understanding, demand, and processes of design?
  • What dilemmas does design face in today’s world, and what scenarios might it encounter in the future?
  • What tools and methods are most effective for different stages of the design process and design research?
  • How do designers think, create, plan, produce, and evaluate their work?
  • How do designers collaborate in interdisciplinary contexts, and what are their key strengths and challenges?
  • How can the teaching and learning of design be improved at various levels and across different educational systems?

By tackling these and related questions, the journal fosters critical discussions that advance the understanding and practice of design.

 

CONTRIBUTIONS

Base Diseño e Innovación publishes special issues curated by guest editors, as well as individual manuscripts submitted throughout the year. The journal welcomes original, unpublished manuscripts that report on:

  • Research
  • Teaching research
  • Systematic literature reviews
  • Theoretical articles
  • Case studies or projects

 

EDITORIAL PROCESS

Manuscripts are only accepted through the journal’s OJS platform. To submit a manuscript, authors must register on the platform and follow the submission steps outlined.

The review process begins with a preliminary evaluation by the editor to ensure the manuscript meets the publication requirements. If the manuscript meets these standards, it is then sent for a double-blind peer review, where both authors and reviewers remain anonymous to each other, including their identities and institutional affiliations.

Two or three academic reviewers are assigned to provide constructive feedback, suggest revisions, and recommend whether the manuscript should be accepted or rejected. In cases where reviewers disagree, the editors will make a decision.

Once the evaluations are received, the editors decide whether the manuscript is accepted without changes, requires revisions, or is rejected. These decisions, along with feedback from the reviewers and editors, are communicated to the authors through the platform.

Authors who wish to continue the process are given a period to make the necessary corrections and submit them. Afterward, the editors review the changes and make a final decision on whether to accept or reject the manuscript, notifying the authors through the platform.

Accepted manuscripts are then translated (from Spanish to English or vice versa) and sent for graphic production to be formatted according to the journal’s design guidelines. Once the layout is complete, the articles are sent to the authors for final approval before publication.

All articles are published under a Creative Commons Attribution, NonCommercial, NoDerivatives 4.0 International License. This license allows authors to share their work with the following conditions:

  • Attribution (BY): Credit must be given to the author(s) by including their names, the title of the work, and a link to the article.
  • Non-commercial (NC): The article may not be used for commercial purposes.
  • Non-derivative (ND): The article may not be modified, transformed, or used to create derivative works. It can only be shared in its original form.
  • International (4.0): The license is valid globally, with a legal framework that is designed to be recognized and enforceable in any jurisdiction.
 

FUNDING

Base Diseño e Innovación operates on a fully open-access model, charging no fees to authors or readers. It is entirely funded by the Design School at Universidad del Desarrollo and does not rely on advertising revenue. The journal covers all expenses related to translating its content in full and producing the graphic design of its articles.

 

EDITORIAL TEAM

HEAD

Alejandra Amenábar
Dean
School of Design, Universidad del Desarrollo, Chile

EDITOR-IN-CHIEF
Úrsula Bravo
Associate Professor
School of Design, Universidad del Desarrollo, Chile

GRAPHIC DESIGN AND LAYOUT
Javiera Oliva

Universidad del Desarrollo, Chile

 

EDITORIAL BOARD 2025-2030

Dr. Jimena Alarcón Castro
Universidad del Bío Bío, Chile

Dr. Mariana Amatullo
Tecnológico de Monterrey, Mexico

Dr. Amilton Arruda
Universidade Federal Pernambuco, Brazil

Dr. Luis Baeza Correa
Universidad de La Serena, Chile

Dr. Roberta Barban Franceschi
Universidad Internacional de La Rioja, Spain

Dr. Erik Bohemia
Shandong University of Art and Design, China
Western Norway University of Applied Sciences, Norway

Dr. Sergio Donoso Cisternas
Universidad de Chile, Chile

Dr. Marco Vinicio Ferruzca Navarro
Universidad Autónoma Metropolitana, Mexico

Prof. Jorge Frascara
University of Alberta, Canada

Dr. Francesco Galli
Università IULM, Italia

Prof. Carlos Hinrichsen
Universidad San Sebastián, Chile

Dr. Roberto Iñiguez Flores
Tecnológico de Monterrey, Mexico

Dr. Cecilia Landa Avila
Loughborough University, United Kingdom

Dr. Manuel Lecuona
Universidad Politécnica Valencia, Spain

Dr. Mauricio Mejía
Arizona State University, United States

Dr. Mauricio Novoa
Western Sydney University, Australia

Dr. David Pérez Ojeda
Lancaster University, United Kingdom

Dr. Mariana Salgado
ICOS - Integrated Carbon Observation System, Finland

Dr. Laura Santamaria
Royal College of Art, United Kingdom

Dr. Mariluz Soto Hormazábal
Universidad del Desarrollo, Chile

Dr. Cristina Taverner
ELISAVA, Spain 

Dr. Andrés Téllez
North Carolina State University, United States

Dr. Héctor Torres Bustos
Universidad Tecnológica Metropolitana, Chile

Dr. Rodrigo Vargas Callegari
Universidad de Valparaíso, Chile

Dr. Federico Vaz
Joint Research Centre, European Commission, Belgium

Dr. Derya Yorgancıoğlu
Özyeğin University, Türkiye

Dr. Yang Zhang
Nanjing University of the Arts, China

 

GUEST EDITORS (2022-2026)

Jimena Alarcón, Universidad del Bío-Bío, Chile

Amiton Arruda, Universidade Federal Pernambuco, Brasil

Yekta Bakırlıoğlu, Lancaster University, United Kingdom

Ross Brisco, University of Strathclyde, Reino Unido

Paulina Contreras, Universidad del Desarrollo, Chile

Giovanna Danies, Universidad de los Andes, Colombia

Marco Vinicio Ferruzca, Universidad Autónoma Metropolitana, México

Trinidad Lazcano, Universidad del Desarrollo, Chile

Sheng-Hung Lee, Massachusetts Institute of Technology (MIT) AgeLab, United States

Marco Aurelio Lobo Junior, Centro Universitario IESB, Brasil

Valeria López, North Carolina State University, USA 

Paula Melo, Delft University of Technology, Netherlands

Mauricio Novoa de Western Sydney University, Australia

David Pérez, Lancaster University, United Kingdom

Andrés Téllez, North Carolina State University, USA

Mariluz Soto, Universidad del Desarrollo, Chile

Michael Stead, Lancaster University, United Kingdom

Mari Suoheimo, Oslo School of Architecture and Design, Norway

Emmanuel Tsekleves, Lancaster University, United Kingdom

Ignacio Toledo, Universidad del Desarrollo, Chile

Rodrigo Vargas, Universidad de Valparaíso, Chile

Haian Xue, Delft University of Technology, Netherlands

 

 

 

REFERENCES

  • Cross, N. (1999). Design Research: A Disciplined Conversation. Design Issues, 15(2), 5–10. https://doi.org/10.2307/1511837 
  • Davis, M. (2024). What is a Researchable Question in Design? In The Routledge companion to design research (pp. 131-139). Routledge. https://doi.org/10.4324/9781003182443-3  
  • Frankel, L., & Racine, M. (2010). The Complex Field of Research: for Design, through Design, and about Design. In D. Durling, R. Bousbaci, L. Chen, P. Gauthier, T. Poldma, S. Roworth-Stokes, & E. Stolterman (Eds.) Design and Complexity - DRS International Conference 2010, 7-9 July, Montreal, Canada. https://dl.designresearchsociety.org/drs-conference-papers/drs2010/researchpapers/43  
  • Frayling, C. (1994). Research in art and design. Royal College of Art Research Papers, 1(1). https://researchonline.rca.ac.uk/id/eprint/384 
  • Glanville, R. (2024). The Sometimes Uncomfortable marriages of design and research. In The Routledge companion to design research (pp. 10-23). Routledge. https://doi.org/10.4324/9781003182443-3 
  • Herrera Batista, M. A. (2010). Investigación y diseño: reflexiones y consideraciones con respecto al estado de la investigación actual en diseño. No Solo Usabilidad, 9. https://www.nosolousabilidad.com/articulos/investigacion_diseno.htm 
  • World Design Organization, WDO (n.d.). Definition of Industrial Design. https://wdo.org/about/definition/